Discography

My Shining Darkness-book

My Shining Darkness-book

Composer: Márta É.Szabó
Publisher: Mártamás Bt.
Relase date: 2021

My Shining Darkness-book

“It was the magic of music that lead me to discover the world. Sounds and melodies have made it beautiful and ’visible’ for me. (…)

Nothing else interested me except the myriad sounds of the piano. When I could recognise notes better, I translated the noises into music. The tram, for example, was braking in F-sharp, and I even played the train’s whistle on the piano. Well, this is how it all began, and if you are interested in what followed, the road that took me to practically all the prestigious concert halls in the world, then read my story as told by my mother.”

Tamás Érdi

MY SHINING DARKNESS
THE STORY OF CONCERT PIANIST TAMÁS ÉRDI
By Márta É. Szabó
Preview by Judit Petrányi
This is one of those life stories that could be taken for a fairy-tale. Or the proverbial folk tale where
the smallest son of the poor man wins the hand of the beautiful princess in the end. Here you have a
seventy-gram (!) baby born ahead of time who loses his eye-sight in an ill-adjusted incubator
growing up to become one of the best and most popular concert pianists in his country. His awards
include the most prestigious tokens of appreciation a musician can receive, including the Hungarian
Order of Merit and the Liszt Prize. His concerts have drawn standing ovation in dozens of countries,
at venues including the Carnegie Hall in New York and Lazienki Park where he is invited to play
Chopin to thousands under the composer’s statue every year. But just as important, at the age of 40
when this book is published, he is a happy man whose world may be presumed to be dark by others
but is in fact as bright as can be.
How was that possible? Well, thanks to a lot of good luck, starting with the three-year-old child
discovering the piano of his grandparents, a mother acting on the realization that her child may be
playing with his favorite toy exceptionally skilfully and a teacher who invented for him a unique
method to help him learn, practice and perform without a printed score. When he was not admitted
to the Liszt Academy in Budapest (how could a blind boy hope to become a concert pianist?), his
parents took him to Vienna, then to Toronto where the famous Leon Fleisher accepted him as his
pupil.
Were those years difficult? Yes, they were. Were there obstacles? Yes, there were galore.
But it would not be a fairy-tale if help was not just around the corner. A Japanese eye surgeon was
ready to try the impossible and from Boston to Florida, numerous Hungarian ex-pats, most of them
strangers, offered their home, loving care and friendship to the persevering family.
The book is an account of all that – and much more. It is also a journey on the train of parental love.
Those two people struck by fear and dispair when Tamás was born were two nationally known,
popular and ambitious TV personalities. Sándor Érdi had launched Studio, to this day the mmiérost
memorable weekly prime time cultural magazine show and Márta É. Szabó, the producer and
presenter of equally unforgettable programs for children on Hungarian Television. Both gave up
their profession to put Tamás’ life and career on track. True, Márta and Sándor were pushed in that
direction when in the politically turbulent 1990-ies, their programs were cancelled and in a mass lay-
off, they found themselves dismissed. Some consolation: travelling with Tamás could be combined
with taping a series of interviews with some great Hungarian emigrés well-known in the world but
little known in socialist Hungary. Fortunately, the book also offers a glimpse into the lives of these
outstanding cultural personalities.
One of the last pages advertises the Balaton Summer Festival, an event now in its seventh year that
has been attracting thousands of music lovers to dozens of venues in the Balaton region every year.
Its art director is Tamás Érdi.
And the final picture in the book shows Tamás on he side of Réka who has been holding his hand and
has been with him every step of the way ever since their wedding in 2013. So, you see, the smallest
son has won the hand of the princess. Those dark glasses do hide a shining world. I told you it was a
fairy-tale.

SHADES OF SCHUBERT DVD / ÉRDI TAMÁS PIANO - ZONGORA / FOUR IMPROMPTUS, D.899, THREE PIANO PIECES D. 946

SHADES OF SCHUBERT DVD / ÉRDI TAMÁS PIANO - ZONGORA / FOUR IMPROMPTUS, D.899, THREE PIANO PIECES D. 946

Composer: Schubert
Publisher: Mártamás Bt.
Relase date: 2019

SHADES OF SCHUBERT DVD / ÉRDI TAMÁS PIANO - ZONGORA / FOUR IMPROMPTUS, D.899, THREE PIANO PIECES D. 946

The concert in the Great Hall of the Ferenc Liszt Academy of Music on March 16, 2017, was recorded live
in "MVM Concerts - The Piano" series by the Academy S Aviso Studios.

 

Hangversenyrendező / Concert organiser: Jakobi Koncert Kft - Jakobi László

 

Sound Recording producer: Weisz József

Sound Engineer: Lakatos Gergely

Stage manager: Haás Vander Zsófia

Stage technician: Mátyus Zsolt

Gaffer: Nagy László

Video engineer: Kocsis Márton Lajos

Colourist: Árendás Csaba

Cameramen: Barta Zoltán, Endrédi Tamás, Faunhoffer Dávid, Horváth Ildikó

 

Production manager: Szentmiklósi Sára, Munkácsi Zsuzsanna

Editor: Trenka Márton

 

Directed by / Rendezte: Petrovics Eszter

 

Pianist Tamás Érdi lost his eyesight as a result of an oxygen overdose in a defective incubator. His interest in music was discovered at a very young age. His teachers use a unique method called “the structural method” to teach Tamás play the piano, whereby he virtually “recomposes” the music he is introduced to.

At 15, he plays a Mozart piano concerto at the prestigious Budapest Spring Festival with leading conductor Tamás Vásáry. At 17, he wins the Louis Braille International Piano Competition in Moscow and gets admission to the Music Academy in Vienna.

At 18 they win the Gina Bachauer Piano Competition with a five-piano arrangement in Salt Lake City. In 2002 Tamás graduates from the Royal Conservatory of Music in Toronto as piano artist instructed by Leon Fleisher. During his studies in Toronto he plays with the Toronto Symphony Orchestra, the Iceland Symphony, Symphony Orchestra of the Hungarian Radio, the Vienna Mozart Orchestra, the Hungarian National Philharmonic Orchestra, the Sverdlovsk Symphonic Orchestra.

In 2012 he is closing act of the Liszt Bicentennial events in Romania with the Enescu Symphonic Orchestra. He performs at Carnegie Hall, Lincoln Center, plays in Siberia, Russia, Kuwait, Lebanon, US, Canada and several European cities, most recently in London at the Barbican Centre and works with all symphonic orchestras in Hungary. He plays for 4,000 people under the famous Chopin statue in Warsaw, Poland several times.

In 2008 Tamás receives the Junior Prima Prize Awarded to talented individuals under 30 and wins Prima Primissima in 2010, which is the most prestigious professional recognition for Hungarian individuals by the private sector. In 2012 he receives the “Order of Merit of the Hungarian Republic, Knight’s Cross” state decoration.

Beethoven Piano Sonatas NOS 1,14&17

Beethoven Piano Sonatas NOS 1,14&17

Composer: Beethoven
Publisher: Mártamás Bt.
Relase date: 2019

Beethoven Piano Sonatas NOS 1,14&17

For music lovers, some numbers are inextricably linked to a particular composer or genre: with Beethoven, it is 32, the number of piano sonatas with opus numbers. Three sonatas in minor keys have been selected from opuses comprising several independent works by Tamás Érdi, of whose playing Zoltán Kocsis said: “His touch on the keyboard is far more sensitive than that of sighted people. In his playing, in certain dynamic ranges there is a sensitivity that for us is simply not possible. I would go so far as to say that this ability could be gauged as Chopinesque.” Pianist Tamás Érdi lost his eyesight as a result of an oxygen overdose in a defective incubator. His interest in music was discovered at a very young age. His teachers use a unique method called “the structural method” to teach Tamás play the piano, whereby he virtually “recomposes” the music he is introduced to.
 
 

Tracklist:

1 - 4.  Piano Sonata No. 1 in F minor, Op. 2 No. 1   22:25

5 - 7.  Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ''Mondschein''   15:22

8-10.  Piano Sonata No. 17 in D minor, Op. 31 No. 2   23:05

DETAILED:

1. Piano Sonata No. 1 in F minor, Op. 2 No. 1: I. Allegro 5:46
2. Piano Sonata No. 1 in F minor, Op. 2 No. 1: II. Adagio 5:09
3. Piano Sonata No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto 3:35
4. Piano Sonata No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo 8:01
5. Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 “Mondschein”: I. Adagio sostenuto 4:59
6. Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 “Mondschein”: II. Allegretto 2:15
7. Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 “Mondschein”: III. Presto agitato 8:14
8. Piano Sonata No. 17 in D minor, Op. 31 No. 2: I. Largo. Allegro 8:25
9. Piano Sonata No. 17 in D minor, Op. 31 No. 2: II. Adagio 7:41
10. Piano Sonata No. 17 in D minor, Op. 31 No. 2: III. Allegretto 6:59

 

The story of Tamás Érdi in Hungarian language, book

The story of Tamás Érdi in Hungarian language, book

Composer: Márta É.Szabó
Publisher: Corvina
Relase date: 2018

The story of Tamás Érdi in Hungarian language, book

The path of the brilliant blind pianist is drawn by his mother, É. Márta Szabó, the well-known television personality, is the editor of Cimbora and many other cultural programs, mainly for children. Tamás's father, Sándor Érdi, the editor of the program Stúdió, is also present on every page of the book. The book, full of excitement, follows the unusual fate of Tamás Érdi from his birth, even earlier, until he became world famous.
Stairway to heaven-book, interview with Richárd Hardi and Tamás Érdi in hungarian language

Stairway to heaven-book, interview with Richárd Hardi and Tamás Érdi in hungarian language

Composer: editor: Simon Erika
Publisher: Kairosz
Relase date: 2017

Stairway to heaven-book, interview with Richárd Hardi and Tamás Érdi in hungarian language

Dr. Richárd Hardi, ophthalmologist, monk and lay member of the Catholic Community of the Eight Beatitudes. 
He has been practicing medicine in the Congo for twenty years.
He performed ten thousand operations and restored sight to countless sufferers.
Pianist Tamás Érdi lost his sight in infancy. He has performed in twenty-three countries so far. From New York to Vörösberény, from London to Cluj, he achieved unforgettable success with his concerts. Erika Simon is a high school teacher and editor specializing in Latin history. So far, he has published fifteen volumes of interviews. Pilinszky and Bach's memorial book is among them. His writings were published in Lyukasóra, Vigilia, A Szív, and Christian Life.
Tamás Érdi's birthday concert at the Museum of Fine Arts, DVD

Tamás Érdi's birthday concert at the Museum of Fine Arts, DVD

Composer: Liszt Ferenc, Kodály Zoltán, Franz Schubert, Chopin, W.A.Mozart
Publisher: Duna Televízió Zrt.
Relase date: 2010

Tamás Érdi's birthday concert at the Museum of Fine Arts, DVD

Hungarian concert film, 93 minutes, 2010
Tamás Érdi's 30th birthday concert at the Museum of Fine Arts on November 19, 2009
Tamás Érdi: Liszt - Sposalizio; Schubert - Impromptu
Bori Keszei - Tamás Érdi: Kodály: Nausicaä
Vásáry-Érdi - Schubert - Fantasy in F minor
Érdi - Chopin: Nocturne in C sharp minor
Tamás Vásáry and Zoltán Kocsis: Schubert Divertissement á la Hongroise, Second Movement
Mozart - Piano Concerto in A major K.488 performed by the Grazioso Chamber Ensemble
conducted by Zoltán Kocsis, with Tamás Érdi playing the piano.
Encore: Schzubert: Marche Militaire Kocsis-Érdi Cast: Creators Actor: Tamás Erdi Director: Tamás Horváth Cameraman: Zoltán Denes Peter Dubovitz Gábor Halász Lajos Nádorfi András Szobrász
Internal light/Tamás Érdi's candlelit Chopin concert on the main square of Szatmárnémet /DVD

Internal light/Tamás Érdi's candlelit Chopin concert on the main square of Szatmárnémet /DVD

Composer: Frederic Chopin
Publisher: Duna Televízió Zrt.
Relase date: 2008

Internal light/Tamás Érdi's candlelit Chopin concert on the main square of Szatmárnémet /DVD

The CD Internal light, produced by Duna Televízió, contains the recording of the candlelit Chopin concert given by the exceptionally talented pianist in 2008 in Szatmárnémeti.
MY FAVOURITE LISZT & BARTOK PIECES / TAMAS ERDI - PIANO

MY FAVOURITE LISZT & BARTOK PIECES / TAMAS ERDI - PIANO

Composer: Liszt&Bartók
Publisher: Hungaroton
Relase date: 2006

MY FAVOURITE LISZT & BARTOK PIECES / TAMAS ERDI - PIANO

Tracklist:

BELA BARTOK (1881-1945)
1 - 8.  Improvisations on Hungarian Peasant Songs Op.20. BB 83   11:22

FERENC LISZT (1811-1885)
9.  Sposalizio R 10b No. 1   7:47
10. Funérailles “Octobre, 1849” R 14 No. 7   10:46

BELA BARTOK (1881-1945)
11. Allegro barbaro BB 63   2:45

FERENC LISZT (1811-1885)
12. Waldesrauschen R 6 No. 1   4:15
13. Mephisto Waltz R 181   11:17

BELA BARTOK (1881-1945)
14-19. Six Dances in Bulgarian Rhythm BB 106 Vol. VI. Nos 148-153   8:40

FERENC LISZT (1811-1885)
20. Hungarian Rhapsody No. 6 R 106   7:34

 

 

Mozart Piano Concertos for Piano and Orchestra with Budapest Chamber Symphony Conducted by Tamás Vásáry

Mozart Piano Concertos for Piano and Orchestra with Budapest Chamber Symphony Conducted by Tamás Vásáry

Composer: Mozart
Publisher: Hungaroton
Relase date: 2006

Mozart Piano Concertos for Piano and Orchestra with Budapest Chamber Symphony Conducted by Tamás Vásáry

  • Mozart: Piano Concerto No. 21 in C major, K467 
  • Mozart: Piano Concerto No. 23 in A major, K488
  • Mozart: Rondo for Piano & Orchestra in D major, K382

 

Tracklist:

 Mozart: Piano Concerto No. 21 in C major, K467 'Elvira Madigan' - Andante  28:19

    Budapest Chamber Symphony
    Tamás Vásáry
    Tamas Erdi (piano)

I. Allegro maestoso 14:22
II. Andante 7:13
III. Allegro vivace  6:44


Mozart: Rondo for Piano & Orchestra in D major, K382  - 10:45

    Budapest Chamber Symphony
    Tamás Vásáry
    Tamas Erdi (piano)

Mozart: Piano Concerto No. 23 in A major, K488  - 27:09

    Budapest Chamber Symphony
    Tamás Vásáry
    Tamas Erdi (piano)

I. Allegro 11:37
II. Adagio 7:09
III. Allegro assai 8:23

TAMÁS ÉRDI AND HIS FRIENDS , JAMILA MUSAYEVA, HIROKO SASAKI, VANESSA M. DIAMOND /DVD

TAMÁS ÉRDI AND HIS FRIENDS , JAMILA MUSAYEVA, HIROKO SASAKI, VANESSA M. DIAMOND /DVD

Composer: CHOPIN, SCHUBERT, MOZART, BRAHMS
Publisher: Mártamás Bt.
Relase date: 2005

TAMÁS ÉRDI AND HIS FRIENDS , JAMILA MUSAYEVA, HIROKO SASAKI, VANESSA M. DIAMOND /DVD

 

JAMILA MUSAYEVA, HIROKO SASAKI, VANESSA M. DIAMOND / CHOPIN, SCHUBERT, MOZART, BRAHMS / WEINER-SZÁSZ KAMARASZIMFONIKUSOK / CONDUCTED BY PÁL TAMÁS

Tracklist / Song list:

1. Chopin - Ballade No. 1 in G Minor
2. Schubert: Ave Maria
3. Schubert: Fantasie in F minor, D.940 
4. Mozart:Sonata for Piano and Violin in E Minor, K. 304

5. Mozart: E-flat major piano concorto for two pianos, K.365
6. Brahms: Lullaby
7. Chopin: Andante Spianato and Grand Polonaise Op. 22
8. Chopin: Fantasie Impromptu

 

Tamás Érdi (Budapest, November 23, 1979 -) Ferenc Liszt Prize-winning pianist.
Schubert's solo CD made from a live concert recording was released in 2003, and Chopin's solo CD was also released in 2004.
In February 2005, he performed at the Palace of the Arts, his highly successful concert, which was also released on DVD, is also the Palace's first classical music disc.
In 2006, his new solo album was released, on which he played works by Bartók and Liszt, as well as both Mozart CDs.
He performed with practically every symphony orchestra in Hungary. In 2007, he played Chopin's piano concerto with the Pannon Philharmonic in Pécs, invited by Zoltán Kocsis, and in Budapest he performed Mozart's piano concerto in D minor together with the National Philharmonic.
In 2008, he won the Junior Prima award, which goes to talented young people under the age of 30. In December 2008, he gave a concert at the United Nations Palace in New York on the International Day of the Disabled.
He has performed in 23 countries around the world.

 

Chopin: Etudes, Waltzes, Nocturnes

Chopin: Etudes, Waltzes, Nocturnes

Composer: Chopin
Publisher: Hungaroton
Relase date: 2004

Chopin: Etudes, Waltzes, Nocturnes

1.  Nocturne No.19 in E minor, Op.72 No.1
2.  Etude in F minor, Op. Posth. "Méthode des méthodes"
3.  Nocturne in C minor (1837, pub 1938)
4.  Ballade No.1 in G minor, Op.23
(g-moll ballada)
5.  Nocturne in C sharp minor, Op. posthumous
6.  Etude in D flat, Op. Posth. "Méthode des méthodes"
7.  Impromptu No.4 in C sharp minor, Op.66 'Fantaisie-Impromptu'
8.  Etude in B sharp minor
9.  Berceuse in D flat major, Op.57
10.  Waltz in A flat major op.69
11.  Andante spianato and Grande Polonaise Brillante in E flat major, Op.22
12.  Waltz No.10 in B minor, Op.69/2
13.  Waltz No.14 in E minor, Op. posth.
Schubert:Four Impromptus Op.90 D899, Sonata In A Minor Op. Posth. 143 D 784 / Klavierstücke D 946 Nos. 1 & 3

Schubert:Four Impromptus Op.90 D899, Sonata In A Minor Op. Posth. 143 D 784 / Klavierstücke D 946 Nos. 1 & 3

Composer: Schubert
Publisher: Hungaroton
Relase date: 2002

Schubert:Four Impromptus Op.90 D899, Sonata In A Minor Op. Posth. 143 D 784 / Klavierstücke D 946 Nos. 1 & 3

Tracklist:

 Four Impromptus Op. 90 D 899 
1In C Minor No. 1 - Allegro Molto Moderato9:44
2In E Flat Major No. 2 - Allegro4:39
3In G Flat Major No. 3 - Andante5:30
4In A Flat Major No. 4 - Allegretto6:53
 

Piano Sonata In A Minor Op. 143 D 784

 
5I. Allegro Giusto12:04
6II. Andante4:18
7III. Allegro Vivace5:55
 

 

Three Piano Pieces Op. Posth. D 946

 
8In E Flat Minor No. 1 - Allegro Assai (Version With Two Trios)    
13:42
9    
In C Major No. 3 - Allegro5:07

 

 

  • Composed By – Franz Schubert
  • Design – Miklós Juhász
  • Engineer – Domonkos Tímár
  • Photography By – Ágnes Lippay
  • Piano – Tamás Érdi
  • Producer, Edited By – Péter Aczél
Tamás Érdi/ W.A.Mozart Piano Concertos Volume2/ K.467, K.488 and Concert Rondo K.382,Budapest Chamber Symphony/Tamás Vásáry, conductor

Tamás Érdi/ W.A.Mozart Piano Concertos Volume2/ K.467, K.488 and Concert Rondo K.382,Budapest Chamber Symphony/Tamás Vásáry, conductor

Composer: Mozart
Publisher: Echiquier Records
Relase date: 2001

Tamás Érdi/ W.A.Mozart Piano Concertos Volume2/ K.467, K.488 and Concert Rondo K.382,Budapest Chamber Symphony/Tamás Vásáry, conductor

Tamás Érdi:W.A.Mozart:Piano Concertos K.466 & 365 Hungarian State Radio and Television Youth Orchestra/Tamás Vásáry, conductor and piano (K.365)

Tamás Érdi:W.A.Mozart:Piano Concertos K.466 & 365 Hungarian State Radio and Television Youth Orchestra/Tamás Vásáry, conductor and piano (K.365)

Composer: Mozart
Publisher: Echiquier Records
Relase date: 1999

Tamás Érdi:W.A.Mozart:Piano Concertos K.466 & 365 Hungarian State Radio and Television Youth Orchestra/Tamás Vásáry, conductor and piano (K.365)

MOZART PIANO CONCERTO / HUNGARIAN RTV YOUTH ORCHESTRA / CONDUCTED BY VÁSÁRY TAMÁS / AUDIO CD / PMHU 01

MOZART PIANO CONCERTO / HUNGARIAN RTV YOUTH ORCHESTRA / CONDUCTED BY VÁSÁRY TAMÁS / AUDIO CD / PMHU 01

Composer: Mozart
Publisher: Foglalkoztatáspolitikai és Munkaügyi Minisztérium
Relase date: 1997

MOZART PIANO CONCERTO / HUNGARIAN RTV YOUTH ORCHESTRA / CONDUCTED BY VÁSÁRY TAMÁS / AUDIO CD / PMHU 01

Tracklist:

 D-moll Zongoraverseny K.466 = D-minor Pianoconcerto 466 
1I. Allegro 
2II. Romance 
3III. Rondo 
 Esz-dúr Versenymű Két Zongorára És Zenekarra K, 365 = Concerto For Two Pianos And Orchestra In E-flat Major, K 365 
4I. Allegro 
5II. Andante 
6III. Rondo Alegro 

 

 

  • Composed By – Wolfgang Amadeus Mozart
  • Conductor – Vásáry Tamás
  • Orchestra – Magyar Rádió és Televizió Ifjúsági Zenekara
  • Piano – Vásáry Tamás (tracks: 4, 5, 6), Érdi Tamás

 

 

 

I. Allegro II. Romance III. Rondo. Allegro assai

Mozart’s Piano Concerto No. 20 – one of only two Mozart concertos, out of 23, written in a minor key. The minor mode had a special meaning for the masters of Viennese classicism, in whose works the choice of this "sad" mode usually goes hand in hand with a heightened sense of drama and a whole set of specific harmonic, rhythmic, and textural devices that we don’t often encounter in compositions written in the major. It is in such works that we may perceive the first signs of musical Romanticism before it became the dominant style of the early 1800s. The D-minor was the only Mozart concerto Beethoven ever performed (he even wrote down the cadenzas he played). It appealed to 19th-century ears more than did any other of the concertos; it reminded listeners of Mozart’s opera Don Giovanni, with which it shares its principal key and its dramatic intensity.

Like most of the piano concertos Mozart composed for his own use in his subscription series in Vienna (a total of 14 works), the D-minor was written in great haste and completed just a day before the performance. Mozart’s father Leopold, himself a composer and violinist, was visiting from Salzburg at the time, and wrote to his daughter Nannerl, a talented pianist and former child prodigy, after the concert: "…Then we had a new and very fine concerto by Wolfgang, where the copyist was still copying when we arrived, and the rondo of which your brother didn’t even have time to play through, as he had to supervise the copying."

The unique character of the concerto is apparent from the start. Whereas most Mozart concertos begin either with a powerful statement for full orchestra or a soft lyrical melody, the D-minor opens with more amorphous material: a syncopated rhythm on a single repeated note that evolves into a recognizable theme only gradually. Syncopations (shifted musical emphases) and chromaticism ("colouring" pitches outside the ones that make up the main key) are two "irregular" musical devices characteristic of the minor mode; they create a special dramatic quality throughout the concerto. The entrance of the solo piano, on a new theme filled with intense pain and longing, adds a new dimension to the emotional range of the movement. The tension is so strong that a coda of unusual length is required after the cadenza before the music can calm down.

The second-movement "Romanza," in B-flat major, is lyrical and peaceful, or so it seems at the beginning. Its G-minor middle section, however, thrusts us right back into the stormy atmosphere of the first movement. The preparation for the return of the initial theme is particularly masterful and atmospheric.

The final Rondo returns once again to the impassioned mood of the first movement, but moves from there to a brighter, more cheerful section in D major, representing, in the words of one commentator, "a victory of serenity over the tumultuous anxiety of earlier moments."